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POROSITY AND THE PEREZ ART MUSEUM MIAMI, article in The Miami Rail, (2013)

A FABRICATED FIELD, Proposal, (2012)

SYNESTHETICS, article in Wynwood The Art Magazine, (2008)

YAYOI KUSAMA: DEFINING DISAPPEARANCE, Harvard, (1996)

RESPONDENT TO 'SEEING AND USING: ART AND CRAFTSMANSHIP' by Octavio Paz, Harvard, (1995)

RESPONDENT TO 'A CLEAN, WELL-LIGHTED HEARTH' by David Nye, Harvard, (1995)

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