sculpture
METROPOLIS REX, foamcore & chipboard, 43" x 89.5" x 60", (2007)
detail of METROPOLIS REX
detail of METROPOLIS REX
BLOOD MERIDIAN, foamcore & corrugated plastic, 138" x 23" x 9.5", (2008)
BLOOD MERIDIAN, foamcore & corrugated plastic, 138" x 23" x 9.5", (2008)
detail of BLOOD MERIDIAN
RISING / FALLING INDEX, corrugated plastic, 96" x 6" x 30", (2012)
detail of RISING / FALLING INDEX
detail of RISING / FALLING INDEX
FRAGMENT REMOVED FROM ITS EMERGENT PATTERN, bass & cherry wood, 87" x +/-2" x +/-2", (2012)
detail of FRAGMENT REMOVED FROM ITS EMERGENT PATTERN
detail of FRAGMENT REMOVED FROM ITS EMERGENT PATTERN
VIEW OF EXHIBITION: NOLO CONDENTERE (2013), Diana Lowenstein Gallery, Miami
GROWTH SPURT, bass & cherry wood, 86" x 100" x 52", (2012)
GROWTH SPURT, bass & cherry wood, 86" x 100" x 52", (2012)
detail of GROWTH SPURT
detail of GROWTH SPURT
detail of GROWTH SPURT
"Branching" occurs in nature specifically when botanical elements are forking, bifurcating, dividing and splitting. The ceiling became an intensification of this concept by creating an artwork. Weaving veneered oak wood limbs hang in two stemming clusters where tendrils of orb like parametric light fixtures thread through like fruit, floor plan showing placement of (2) sculptures above, (2018), collaboration with William Lane, Food@Science Café at The Phillip and Patricia Frost Museum of Science, Miami
CEILING SCULPTURES, still of digital model, (2018)
detail of CEILING SCULPTURES
CEILING SCULPTURES, oak veneered plywood, stainless steel connectors & cable, dimensions variable, (2018)
CEILING SCULPTURES, oak veneered plywood, stainless steel connectors & cable, dimensions variable, (2018)
CEILING SCULPTURES, oak veneered plywood, stainless steel connectors & cable, dimensions variable, (2018)
3D_ASSETS was a response to the reification of building construction and architecture for investment property. In the context of "E-State Realisms", the goal was to attempt from within the framework of asset production to create a mutation or possible sets of variants in which the work could circulate from the standpoint of art, architecture and marketing. The hope is to liberate more specifically computation and digitality in design from bending solely to the rules of capitalist and market limitations, questioning whether digitality can rupture the very limit it has been ascribed to. I think it is a chess game, and 3D_assets are chess pieces, 3D_ASSETS, still of digital models, (2018)
3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018)
VIEW OF EXHIBITION: HYPERLEAK (2021), Diana Lowenstein Gallery, Miami, 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018) & digital vinyl wall graphic
3D_ASSETS, still of digital models, (2018)
VIEW OF EXHIBITION: E-STATE REALISMS (2018), Oolite Arts, Miami Beach, 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018), photo by Zack Balber, image courtesy of Oolite Arts
VIEW OF EXHIBITION: E-STATE REALISMS (2018), Oolite Arts, Miami Beach FL, 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018), photo by Zack Balber, image courtesy of Oolite Arts
fabrication of 3D_ASSETS
fabrication of 3D_ASSETS
fabrication of 3D_ASSETS
Something that is born in virtual space, (co)produced by someone's fingertips, becomes someone's home, someone's office -- someone's 'property.' Is there another way to work? I'm interested in conflating the usual flows by infiltrating them first. Let's see where it goes..., 3D_ASSETS, MODEL 6, still of digital model , (2019)
3D_ASSETS, MODEL 6, still of digital model, (2019)
3D_ASSETS, MODEL G (for group exhibition 10-A DECADE), mixed media: framed digital prints, 3D prints on painted CNC base & shelf, dimensions variable (2019), Dimensions Variable, Miami
3D_ASSETS, MODEL 6, still of digital model, (2019)
detail of 3D_ASSETS, MODEL G
detail of 3D_ASSETS, MODEL G
detail of 3D_ASSETS, MODEL G
fabrication of 3D_ASSETS, MODEL G
VIP GIFT (for support of group exhibition 10-A DECADE), still of digital model, (2020)
VIP GIFT (for support of group exhibition 10-A DECADE), (6) 3D prints, +/-5" diameter, (2020), Dimensions Variable, Miami
detail of VIP GIFT_NATURAL
Oolite Arts’ Shares program uses the model of supporting local agriculture and adapts it to support South Florida artists. When a collector purchases a Community Supported Art Share (CSA), they receive nine pieces of art, each commissioned by a local Miami artist. Because the artist creates artworks for (50) shares, I decided to create a series of 5 ‘pearls’ - (10) prints each. I collaborated with Miami Beach Urban Studios (MBUS), a fabrication lab associated with Florida International University (FIU), PEARLS, stills of digital models, (2020)
CSA SHARES : PEARLS (through Oolite Arts), 3D prints, edition of 50/10 each, +/-5" diameter, (2020)
editions (50/10 each) of PEARLS