sculpture View fullsize METROPOLIS REX, foamcore & chipboard, 43" x 89.5" x 60", (2007) View fullsize detail of METROPOLIS REX View fullsize detail of METROPOLIS REX View fullsize BLOOD MERIDIAN, foamcore & corrugated plastic, 138" x 23" x 9.5", (2008) View fullsize BLOOD MERIDIAN, foamcore & corrugated plastic, 138" x 23" x 9.5", (2008) View fullsize detail of BLOOD MERIDIAN View fullsize RISING / FALLING INDEX, corrugated plastic, 96" x 6" x 30", (2012) View fullsize detail of RISING / FALLING INDEX View fullsize detail of RISING / FALLING INDEX View fullsize FRAGMENT REMOVED FROM ITS EMERGENT PATTERN, bass & cherry wood, 87" x +/-2" x +/-2", (2012) View fullsize detail of FRAGMENT REMOVED FROM ITS EMERGENT PATTERN View fullsize detail of FRAGMENT REMOVED FROM ITS EMERGENT PATTERN View fullsize VIEW OF EXHIBITION: NOLO CONDENTERE (2013), Diana Lowenstein Gallery, Miami View fullsize GROWTH SPURT, bass & cherry wood, 86" x 100" x 52", (2012) View fullsize GROWTH SPURT, bass & cherry wood, 86" x 100" x 52", (2012) View fullsize detail of GROWTH SPURT View fullsize detail of GROWTH SPURT View fullsize detail of GROWTH SPURT View fullsize "Branching" occurs in nature specifically when botanical elements are forking, bifurcating, dividing and splitting. The ceiling became an intensification of this concept by creating an artwork. Weaving veneered oak wood limbs hang in two stemming clusters where tendrils of orb like parametric light fixtures thread through like fruit, floor plan showing placement of (2) sculptures above, (2018), collaboration with William Lane, Food@Science Café at The Phillip and Patricia Frost Museum of Science, Miami View fullsize CEILING SCULPTURES, still of digital model, (2018) View fullsize detail of CEILING SCULPTURES View fullsize CEILING SCULPTURES, oak veneered plywood, stainless steel connectors & cable, dimensions variable, (2018) View fullsize CEILING SCULPTURES, oak veneered plywood, stainless steel connectors & cable, dimensions variable, (2018) View fullsize CEILING SCULPTURES, oak veneered plywood, stainless steel connectors & cable, dimensions variable, (2018) View fullsize 3D_ASSETS was a response to the reification of building construction and architecture for investment property. In the context of "E-State Realisms", the goal was to attempt from within the framework of asset production to create a mutation or possible sets of variants in which the work could circulate from the standpoint of art, architecture and marketing. The hope is to liberate more specifically computation and digitality in design from bending solely to the rules of capitalist and market limitations, questioning whether digitality can rupture the very limit it has been ascribed to. I think it is a chess game, and 3D_assets are chess pieces, 3D_ASSETS, still of digital models, (2018) View fullsize 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018) View fullsize VIEW OF EXHIBITION: HYPERLEAK (2021), Diana Lowenstein Gallery, Miami, 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018) & digital vinyl wall graphic View fullsize 3D_ASSETS, still of digital models, (2018) View fullsize VIEW OF EXHIBITION: E-STATE REALISMS (2018), Oolite Arts, Miami Beach, 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018), photo by Zack Balber, image courtesy of Oolite Arts View fullsize VIEW OF EXHIBITION: E-STATE REALISMS (2018), Oolite Arts, Miami Beach FL, 3D_ASSETS, 3D prints on painted CNC milled bases, dimensions variable x 42", (2018), photo by Zack Balber, image courtesy of Oolite Arts View fullsize fabrication of 3D_ASSETS View fullsize fabrication of 3D_ASSETS View fullsize fabrication of 3D_ASSETS View fullsize Something that is born in virtual space, (co)produced by someone's fingertips, becomes someone's home, someone's office -- someone's 'property.' Is there another way to work? I'm interested in conflating the usual flows by infiltrating them first. Let's see where it goes..., 3D_ASSETS, MODEL 6, still of digital model , (2019) View fullsize 3D_ASSETS, MODEL 6, still of digital model, (2019) View fullsize 3D_ASSETS, MODEL G (for group exhibition 10-A DECADE), mixed media: framed digital prints, 3D prints on painted CNC base & shelf, dimensions variable (2019), Dimensions Variable, Miami View fullsize 3D_ASSETS, MODEL 6, still of digital model, (2019) View fullsize detail of 3D_ASSETS, MODEL G View fullsize detail of 3D_ASSETS, MODEL G View fullsize detail of 3D_ASSETS, MODEL G View fullsize fabrication of 3D_ASSETS, MODEL G View fullsize View fullsize VIP GIFT (for support of group exhibition 10-A DECADE), still of digital model, (2020) View fullsize VIP GIFT (for support of group exhibition 10-A DECADE), (6) 3D prints, +/-5" diameter, (2020), Dimensions Variable, Miami View fullsize detail of VIP GIFT_NATURAL View fullsize Oolite Arts’ Shares program uses the model of supporting local agriculture and adapts it to support South Florida artists. When a collector purchases a Community Supported Art Share (CSA), they receive nine pieces of art, each commissioned by a local Miami artist. Because the artist creates artworks for (50) shares, I decided to create a series of 5 ‘pearls’ - (10) prints each. I collaborated with Miami Beach Urban Studios (MBUS), a fabrication lab associated with Florida International University (FIU), PEARLS, stills of digital models, (2020) View fullsize CSA SHARES : PEARLS (through Oolite Arts), 3D prints, edition of 50/10 each, +/-5" diameter, (2020) View fullsize editions (50/10 each) of PEARLS